In our first meeting, or maybe our second, I said as much to Dr. Sundaramoorthy, who in typical form sat quietly and listened to the pedantic musings of a twenty year old seeker. My heart was in it and my head was wrapped around the best translations of the original text (in those days, Thibaut, Swami Gambirananda, and these are still in my opinion quite competent and accurate efforts.) Oneness promised that our original state was free of the limitations and conditions of our mortal coil. Oneness promised that we didn't need heaven anymore than we needed consolation or care for our otherwise certain sufferings. I wanted that. Appa agreed to explain at any length Sankara's ideas and how his incontrovertible claim of "direct experience" (anubhava) would deliver its promised aim. I would be delivered from the world, I thought. And he made good. I had barely any Sanskrit but Appa, patiently, deliberately, in sentence by sentence exegesis pulled the text apart. He was charitable to its argument, serious in taking Sankara seriously, and he was generous to consider both the argument and my puerile line of questions. Over about a month of daily meetings, not long after we met, Appa provided more than a perspicacious scholarly rendering of Sankara's meanings, he spoke with heart about what this revered philosopher wanted from life. When we concluded, I thought to myself, this man has realized Sankara's Oneness and if only I could be as rich in soul, I too could come to such a liberation. Then in subsequent weeks Appa just as meticulously, just as soulfully began to unravel the great one's case. As he sorted it out I first paused---could he mean to be saying that the Oneness promise was itself the problem? Not the solution but the problem precisely because it is expresses the hope that life could be about something other than this vale of tears? And what did Oneness tell us of life's small joys? Of our loves and relationships of care and concern when Sankara insisted, without compromise, that the awakened realized life was nothing like the taunting, dangerous, problematic twists and turns of embodied existence? Appa wasn't about to discredit the great Non-dualist. But neither was he going to conceal his own alternative vision, a vision that could not be more diametrically opposed to the Liberationists---and by that he meant all of those who insisted everyday is but bondage and that liberation is liberation from those experiences. Whatever the promise of freedom-to, our freedom-from was to be complete, at least in their view. Appa, over the course of the next month, did something I could not have even imagined. He liberated me from liberation. Life, he suggested, with all its outrage and capricious misfortune, with lila we love and lila that dismantles every claim to relief, leaves us to revel not in a certain absolutism, a liberation. Oneness poses no ultimate answer and raises no important questions. Rather we are invited to sustain ourselves in the face of an unrelenting world in which every illumination not only reveals more in the shadows but creates more too.
Tuesday, February 1, 2022
Liberated from Liberation
In our first meeting, or maybe our second, I said as much to Dr. Sundaramoorthy, who in typical form sat quietly and listened to the pedantic musings of a twenty year old seeker. My heart was in it and my head was wrapped around the best translations of the original text (in those days, Thibaut, Swami Gambirananda, and these are still in my opinion quite competent and accurate efforts.) Oneness promised that our original state was free of the limitations and conditions of our mortal coil. Oneness promised that we didn't need heaven anymore than we needed consolation or care for our otherwise certain sufferings. I wanted that. Appa agreed to explain at any length Sankara's ideas and how his incontrovertible claim of "direct experience" (anubhava) would deliver its promised aim. I would be delivered from the world, I thought. And he made good. I had barely any Sanskrit but Appa, patiently, deliberately, in sentence by sentence exegesis pulled the text apart. He was charitable to its argument, serious in taking Sankara seriously, and he was generous to consider both the argument and my puerile line of questions. Over about a month of daily meetings, not long after we met, Appa provided more than a perspicacious scholarly rendering of Sankara's meanings, he spoke with heart about what this revered philosopher wanted from life. When we concluded, I thought to myself, this man has realized Sankara's Oneness and if only I could be as rich in soul, I too could come to such a liberation. Then in subsequent weeks Appa just as meticulously, just as soulfully began to unravel the great one's case. As he sorted it out I first paused---could he mean to be saying that the Oneness promise was itself the problem? Not the solution but the problem precisely because it is expresses the hope that life could be about something other than this vale of tears? And what did Oneness tell us of life's small joys? Of our loves and relationships of care and concern when Sankara insisted, without compromise, that the awakened realized life was nothing like the taunting, dangerous, problematic twists and turns of embodied existence? Appa wasn't about to discredit the great Non-dualist. But neither was he going to conceal his own alternative vision, a vision that could not be more diametrically opposed to the Liberationists---and by that he meant all of those who insisted everyday is but bondage and that liberation is liberation from those experiences. Whatever the promise of freedom-to, our freedom-from was to be complete, at least in their view. Appa, over the course of the next month, did something I could not have even imagined. He liberated me from liberation. Life, he suggested, with all its outrage and capricious misfortune, with lila we love and lila that dismantles every claim to relief, leaves us to revel not in a certain absolutism, a liberation. Oneness poses no ultimate answer and raises no important questions. Rather we are invited to sustain ourselves in the face of an unrelenting world in which every illumination not only reveals more in the shadows but creates more too.
Saturday, January 1, 2022
New Year's 2022 and The Turning Towards Grace
Saturday, January 1, 2022
Aho’Rajanaka! Bho! Bho! Sukhiya Zālā!
Warm New Year’s greetings from far too warm Bristol. Here’s to laughter aplenty and time well-spent, health and time to do what you love most with those who make all the difference a difference can make. I want to thank you because you came in 2021 to make learning and contemplation a joy together. You brought grace and that’s something we should talk about more. With all we have endured, you made the effort and we’re all the better for it. For my part, I know you’ve kept me sane (well, you know, relatively speaking), centered and committed, and determined to make this crazy world sumthin’ good. Let’s carry on. First a few invitations, then on to a tumult of grace, a veritable donnybrook, brouhaha, rumpus---Grace should come like a cete of badgers, a sedge of bitterns, an obstinacy of buffalo, a quiver of cobras, a flamboyance of flamingos, and a business of ferrets.
On New Year’s we get to collect and recollect, start anew, and consider what it means to find joy in rearranging the disorder that makes life both sweet and, well, not less complicated. We don’t ever really start over because we’re always in the middle of things. But finding out how to keep moving and find a moment’s peace is our human condition. Celebrating our feeling human is the very soul of Rajanaka teaching.
And celebrating that kind of “turning towards” is “keeping things to rights” or pradaksina. When you use pra- as a prefix to a Sanskrit word it often means forward, towards and sometimes it can mean apart, distinctive, even falling apart. The word dakshina gestures gratitude, and often as a gift or even a monetary offering. Put this together as pradakshina and we are charged simultaneously to keep moving forward and towards even as we deconstruct and put things to rights.
If that sounds paradoxical I’d bet you’re not surprised. Life invites us to step into what’s possible and to receive what’s true with or without our consent---and then create, innovate, and rearrange to refresh the next breath.
As you would expect, the cultural “rules” of dakshina in India can be complex. For example, in temples offering dakshina to the priests is considered requisite, a virtual nitya karma, while the effort to make an offering to one’s own teacher may not be made without acknowledged “permission.” The priest must be paid---it’s only fair and right---but the teacher is charged to decide if, when, and what dakshina is offered. Why the seeming incongruity?
I think it’s because we recognize deep in our hearts that the most important experiences in life cannot be paid back---grace more artlessly defined: you don’t earn it, you may not “deserve” it, and you sure can’t pay it back. Dakshina is a way of saying that the best things in life are not free but come freely. And just how to we express gratitude for such blessings?
In Zen it is said “to surpass the teacher is to repay the debt.” That charge is riven with irony and accompanied by the deep humility that we feel when we know in our hearts that we have been graced and that it seems impossible ever to surpass our teachers, much less repay our debts. I know I feel that way about Appa---everyday I am in wonder at his generosity of time and energy and heart---and so many others with whom I have been blessed to study. Many of those teachers are simply the things all around us, like the pup who loves me without conditions (and maybe there are treats too) or the spider that weaves and waits, from whose patience I learn a new respect; some teachers are only in books or dreams or perhaps even in the unconscious. So again we should ask, how might we express gratitude for all the grace that has come?
Pradakshina. We can continue to step forward, take it all apart, put it all back together, turn with the heart opening to the center and expanding to our boundaries. Shall we try together? Shall we do this again and again? I look forward to seeing you whenever you can make it in 2022.
sapremakulasmaranam, with loving affection of the community of the heart,
Douglas
Wednesday, November 3, 2021
More About Tradition & Transmission, More About Rajanaka Learning & History
In last Saturday's Conversation (31 October 2021) I was asked what about Rajanaka had changed or what had I evolved since Appa offered up his understandings. What innovations or interests had I brought? I will write more about those matters with greater specificity soon. This is a wonderful query about our learning and what Rajanaka means.
There is indeed quite a bit of information that I’ve uncovered since Appa and I studied together. I try to make clear where the research has gone and how it turned up. One of the interesting features of these traditions is how material is withheld and how reluctant folks can be to part with it.
Some of you know about the old Sabanayaka Diksitar priest who I would visit in Chidambaram and a few of you made the journey to his house to meet him. Ananda Kuncitapada Diksitar was the nephew of Rajaratna Diksitar, the priest who took in Appa’s mother and the whole of his family, took them in off the streets when they had nowhere else to go, when they had been cast aside from their lives in the village a some six years or so after Appa's father passed.
Poverty and familial controversies had left them homeless. Literally on the verge of
Appa was raised in Rajaratna’s house, adopted officially into his family (he and his wife Tangamma were childless), and so began the story of his relationship to scholarship, to the great Natarajar Temple, and to the worlds of Rajanaka. Appa was only six or seven when they moved into the Rajaratna’s home. Down the street lived Rajaratna’s sister, married of course to another Diksitar, and Ananda Kuncitapada was their son---he became our family’s principal contact inside the Temple after Rajaratna passed in the 1980s. He was about ten years younger than Appa. Ananda Kuncitapada knew his time was coming---he passed in 2015, as I recall--- and he asked me to spend time with him.
With all of our pilgrimage pals safely on their own, I returned for five or six long conversations into the evening and the very early mornings. It was then he gave me a stack of texts, with explicit instructions about how to treat them, and told me things that I know he’d not told me or Appa earlier. I was curious if these stories, particularly involving important characters in Rajanaka lore like Ayyappa, Tillai Kali (and Her temple forms), Panchamukha Anjaneya Hanuman, and others, were things he’d learned since those conversations we had together in the 1990s or if he had simply not told us. I never asked him about this but I suspect that he knew most of it all along and was working out the rest over the years---a combination of both withholding and his “new” learning.
These subjects involve deeply private, personally important matters and in the worlds of Tantra there are differences between secrecy and privacy. Secret matters are concealed usually to prevent the “unqualified” from access to information deemed potentially “dangerous.” In truth, that danger can be social opprobrium, embarrassment, or any number of other issues that involve how “powerful” ideas or actions may be restricted. Sometimes restriction itself is a form of power but the “sacred” is, as we know, often a defined as permission and prohibition. To control access is to manage power and the sacred is power when one has the keys to open and close doors.
Privacy differs from secrecy inasmuch as it involves more personal feelings. Rather than traditionally stated restrictions it may feel inappropriate to discuss one’s own experiences. Why? Certainly humility and the sanctity of the heart are in the mix but who knows exactly why people keep their own confidences? There is also an old convention that matters not asked for may not necessarily be revealed. One gets the information one is capable of asking for (cf., Gita 2.70ff) while at the same time it can feel awkward, rude, or graceless even to ask. How can you learn if you can't ask? How does one know what to ask for if information is withheld? If this situation sounds “contradictory” or at the very least complicated, you wouldn’t be wrong but that wouldn’t change matters.
Appa was particularly used to my stumbling, sometimes coarse lines of questioning, and yet he genuinely invited me to ask any question, every question---not just the ones apparently permitted. I might still have to work hard for those questions and his insights. It could be difficult to know where a line of inquiry was going but as usual, little by little, again and again the task was to stay on the trail, to be persistent, to have the courage to speak up.
He may not offer everything all at once. He may tell me to wait. He may offer bits and pieces to see how much more he would reveal or over a course of time. It can be complicated talking to a person of his depth and erudition even if he trusts you, loves you, and wants you to have what you ask for. You learn to follow his clues and leads, use indirectness when it seems the better way to get around, and don’t give up if he deflects or says “another time.”
It was important to know when to poke and when to pause in any line of questioning and I wasn’t always so adroit or skilled. With Ananda Kuncitapada or other members of Appa’s Rajanaka Mandali (i.e., the circle of conversants) the situation was more delicate. As much family history and trust we shared over the years, as deep as our affections ran, there were still matters of privacy to consider. I think no matters of secrecy were at last ever concealed from me---there was nothing in texts or practices that I asked to learn that was withheld, no esoterica left unexplained or concealed---but I feel just as confident that Ananda Kuncitapada kept much in his heart that was his own musings and experiences. As far as we both knew, there were no others left to share in these studies or who knew these stories or who were curious to make these lines of inquiry.
How much was transmission passed along? How much was culled from research? How much had been uncovered over decades of contemplation and critical analysis? I asked myself these questions whenever I spoke to any members of the Rajanaka Mandali. One thing is clear: they all agreed that transmission was far less important and vital to the processes of learning than tradition. There were transmitted texts and practices that could be imitated and understood---this kind of learning could take time but it was only a matter of diligence and understanding what anyone interested and committed could be taught.
But it was their understanding that transmission is not the core of a spiritual life but merely a process of access and information, To reach that center of one's own experience demands a commitment to tradition.
I have written about the difference between transmission and tradition before. It is a matter, I think, that translates across many kinds of learning when we consider matters of provenance and the processes of personalizing what one has received.
Let’s go back for a moment to the citation from one of Japan’s National Treasures, the late potter in the Bizan-style, Kaneshige Michiaki (1934-1995). He put this difference between transmission and tradition this way,
Tradition is sometimes confused with transmission. Copying Momoyama pieces is transmission. Producing contemporary pieces incorporating Momoyama period techniques is tradition. Tradition consists of retaining transmitted forms and techniques in one's mind when producing a contemporary piece. Tradition is always changing. A mere copy of an old piece has not changed; it is nearly the same as its prototype of four hundred years ago. Tradition consists of creating something new with what one has inherited.
This take us to the second feature of our recent conversation about how things Rajanaka have “changed” over the years, particularly with me. But truth to tell, Rajanaka is something of an outlier inasmuch as “innovation” or what Michiaki calls “something new” is often construed as deviation, alteration, or even departure. Transmission is typically regarded in Tantric traditions as the direct imprimatur of one’s lineage. The suggestion is that truth is recursive, a perfect (re-)iteration of what is past.
Appa regarded any such transmission as religious palaver, not something we could take seriously on the basis of the merits of learning. In other words, we can’t inherit our learning---or our character, our commitment, or achievements-- but for the ways we must make them all our own through hard work. No tapas, no claim to tradition. And as for transmission, that too is tradition insofar as whatever was passed along must be made relevant to context and times.
Rajanaka is a tradition with many currents. We can identify those currents and contents relatively easily. It takes up the south Indian worlds of gods, Vedic and Tantric lore, embracing the enormity of Hindu cultural creativities in literature and the arts and sciences. But above all Rajanaka is not merely what we learn it is how we learn.
Rajanaka is learning to learn. Put another way, it is learning to be educated, not merely to learn. We are always emulating what we admire or regard, adopting from nd reflecting on others. But what we are in the business of becoming is ourselves and living with that complexity of self, indeed creating more complexity and more selves of depth, consideration, and care: that is the business of Rajanaka. When once I asked Appa what is the greatest human possibility he said, “To appreciate more deeply our shared humanity, to savor our own, to feel empathy for others.”
Monday, October 18, 2021
Transmission and Tradition A Note about Rajanaka Values
Before the Gita Session yesterday I got on a bit of jag about how the claims to perfection and accomplishment (siddha/siddhi) and “realization” are a positive detriment to learning. Let us leave aside for the moment that the yoga traditions (Hindu, Buddhist, etc.) assertion that certain individuals are more than merely empowered, gifted, skilled examples of a shared humanity----that this is dehumanizing, that it sets apart these persons and not only deprives them of their humanity but in effect tells the rest of us how we are inferior (or not yet them).
The refutation of the ersatz-divination of human beings, which is actually at the heart of all bondage/liberation traditions, makes Rajanaka an outlier, heresy, perhaps even beyond the pale. Appa was adamant that we should honor even revere accomplishments hard won but that all this comes at great cost---personal, emotional costs---that casts real shadows. The more brightly we burn the more shadow we cast.
Attainments or capabilities however worthy are anything but perfection: we’re going to need the unwanted, complex shadows and flaws that come with them in order to learn; we’re going to need grief to love; we're going to need to admit our unfinished, incomplete, even unwholesome selves if we are ever pry more deeply into the pursuit of betterment. And anyways there’s no getting around it: we’re just human. And that’s enough.
You’ve heard that before around here, I’m sure.
The further point I want to be clear is that we when we substitute veneration and charisma for accomplishment and the difficult tasks of learning we conflate and confuse important issues. The once-serious Shankara tradition rooted in the discourse of argument and gnostic awareness is now little more than an emblem of that past and a devotional movement. Don’t mistake me if participating in a community of loving souls does your heart good, who would object? But projecting on a guru supernormal abilities much less moral superiority is a prescription for self-delusion, bypass, and an invitation to corruption; it effectively discourages our own hard work, the trial and error, the worthy experiments that may fail.
The notion that any such superiority is a birthright (cf., Abhinavagupta’s claims about being conceived in a Tantric ritual) or a transmission of lineage inheritance is the stuff of religion or, as we in the reality-based world might say, nonsense. But in fact it’s worse. It’s an invitation to diminish one’s worth, abdicate the responsibilities of a shared humanity, and resign from the demanding ardor that might actually contribute to a wiser, more compassionate human experience.
We cannot replicate another’s experience and there is no state or ideal, no Buddha, no Siddha, no savior or supernormal beingwh o we can copy. Transmission is copying, it’s getting what they got, or so we're told. We’re not faithful reproductions of the past. Rather, we’re each a furtherance of what has come before with no guarantees of better or success but by self-application and luck.
Ardor (tapas) mustn’t be for the sake of transcending or extricating us from our limited, conditional reality but because hard work might just allow us to live a little better with ourselves and each other. As for "attainment," well, there's always more and our failures are as important as our successes.
We all wish there was a way out, something more that relieves us of our human sorrows and the existential truths of ordinary limitations. But alas Rajanaka offers something that I think is far better than a transmission that falsely claims power and authority beyond the human condition. Rajanaka is, in fact, not a transmission at all. It is a tradition. And, yes, it comes not only from our own hard work but from an inheritance of learning that has been taught and passed from teachers to students.
To finish this last point we can get some help from the late Japanese potter Kaneshige Michiaki (1934-1995), a master of the Bizen-ware style:
Tradition is sometimes confused with transmission. Copying Momoyama pieces is transmission. Producing contemporary pieces incorporating Momoyama period techniques is tradition. Tradition consists of retaining transmitted forms and techniques in one's mind when producing a contemporary piece. Tradition is always changing. A mere copy of an old piece has not changed; it is nearly the same as its prototype of four hundred years ago. Tradition consists of creating something new with what one has inherited.
This means that Rajanaka is yours as are all the traditions you inherit. We are not seeking to replicate, to reproduce an enlightenment, or to receive a transmission so that we can somehow have what “the great ones” achieved. Instead we are invited to the more challenging task of creating something new from our inheritances, something that might make our teachers proud. “To surpass the teacher is to repay the debt.” We may believe that we never quite arrive at such greatness but that, of course, is not the point. Make tradition. Make the living promise to do the worthy ardor.
Tuesday, June 1, 2021
Tandava as the Calm Inside the Storm
June 1, 2021
Aho’Rajanaka,
I hope this finds you well coming through the Memorial Day weekend, both with a renewed sense of some normalcy with family and friends and just some time to refresh. I spent much of the weekend reading and preparing for our Session on Natarajar tomorrow, which will be more storytelling and myth than has been. There's so much more and tomorrow will take you through some of the essentials of the mythology and imagery with clarity and care. More about that in a moment.
When I really take a break I read things like some folks eat comfort food. I have comfort reading and my list is actually kinda’ short---Mahabharata, the Iliad, Tolkien, and Patrick O’Brian. I drop in on Rilke, Dickenson, Keats, and the Bard too. Actually, there are a lot of things that bring me comfort when I’m especially tired of thinking about “now how am I going to describe or explain that.” I’m thinking of you when I think about putting things to words whereas my pure comfort reading invites me merely soak in the familiarity, like a plate of momma's pasta: I let Tolkien or O’Brian do all the work and I just enjoy listening, whether reading or actually listening. But when I think about what most draws me to my versions of “comfort” in any of these works it is that all of them have one or another kind of tandava that comes from the heart of Rudra and Kali. Lemme ‘splain some.
Tandava is the dance of possession, it’s when you gotta’ move and that your movement, inside and out, physically and emotionally, when the whole of your being is wholly involved, thoroughly engaged. Tandava is samadhi without the chill. You see we associate the word samadhi with calm and equanimity, and in the Patanjali-sense of yoga with the idea of release, attenuation of movement, with nirodha or ceasing. But we Rajanaka as the children of the non-binary Natarajar think of samadhi as calm rage, as a fury of deeply focused passion and care and intense concentration, at once deliberate and spontaneous, something that is calculated but wholly uncontained by the purity of its being “born together” (sahaja) with no second thought required.
Tandava is Rajanaka’s reinterpretation of samadhi, not as the relinquishment of passion or feeling but rather a mind not released from thought, a whole person making the deepest connection with all that we can feel and think. We arrive at equanimity because there is so much attention paid (hence the place where consciousness (-dhi in Sanskrit) is in same-ness (sama-, thus samadhi). The ancient Rudra is blood red with passion and howling at the moon but as calm as Alec Guinness as George Smiley or Obi-Wan Kenobi. Kali Ma, well, she’s the momma who never loses her cool even as the blood drips and the demons piss with fear. You get the picture. But in both we see the proto-tandava, the elemental passion and thought, the care directed towards being as cool as Toshiro Mifune doing his samurai schtick and as furious as the unexpected tsunami, tha afternoon in Tokyo when a really ticked off Gozilla decides to make an appearance. Unleashed calm may seem paradoxical but that is precisely the point.
Now Frodo and Sam are running towards the fire. O’Brian’s Aubrey reminds us dozens of times “there is not a moment to lose.” Achilles may be taking his time to enter the fray---and it does take the death of Patroclus to get bring him to his turning point and who has ever had more patience with the nihilists than the heroic Yudhisthira of the Pandava? But in every case there’s that tandava thing: an inexorable calling from the heart to bring into motion the intentions and actions that must be engaged now, because there is a past and the need for a better future. What is calculated is spontaneous, what is chosen is made to look effortless but that is because virtuosity is making something difficult look easy. Worthwhile things are hard things and the “trick” is no trick at all, it is to make it all appear seamless even when flawed, decisive because doubt is now another empowerment, anxiety isn’t under control but neither is it controlling: the dance goes on and you have to decide whether you’re in or sitting it out.
Now sitting it out isn’t rest or taking a break or recovery---sitting it out is abdication, apathetic, inattentive, or passive and that is the unwholesome opposite of tandava. We need to become as persevering and diligent in the power of rest as we are engaged in the fight. Learning to rest may well be harder even than rising to the occasion of the activity because rest is work. Yup, think about it. If rest isn’t a critical aspect of our work then we have reduced rest to procrastinating, to the languid and indifferent. Now all of those things happen to everyone too so let’s not get too high minded here: the best of us indulge the shadow of rest less than perfectly. It’s only human to make these ordinary “mistakes” and it’s the job of yoga not to punish or merely admonish ourselves for making them but rather to figure out how to live in greater salubrity. Living with yourself is life’s most challenging privilege.
In today’s NY Times there’s an interesting piece called “How to Take a Break.” I can’t say I endorse or agree to all of the proposals in this article but it does raise the important issue, which is that we humans need time to rest and need to make rest a part of our lives as important as any work. As I’ve already said, I don’t think of rest as the opposite of work but rather both active and restful time as integrated into a life of purpose and meaning. Just how you do this for yourself is crucial. It too is tandava, as the Rajanaka call it.
I’ve had some rest this week and my focus and passion has improved over the last two days. I mean I can notice the effects of an efficacious “downtime,” even if that’s nothing more than a power nap. Oh and here’s the link to the Times bit: https://www.nytimes.com/2021/05/29/business/dealbook/quality-work-breaks.html?action=click&module=Editors%20Picks&pgtype=Homepage
TOMORROW, we resume the Wednesday Course on Natarajar, Tillai Koothan, the Dancer of the Amaurosis Forest. We’ll be talking more about tandava of course and about the structure of the mythology and storytelling tradition that brings us more deeply into the yoga, the engagement we need with our hearts, our bodies and minds. I warmly invite you to come. We’re going to tell great stories, the kind that matter, the kind that change your life.
Saprema, with affection,
Douglas
ps you can find that ^^^course now archived on rajanaka.com.
Friday, April 9, 2021
Why There Are No Ethics Nor Ethical Theory in the Yogasutra
It is a misreading to conclude that the Patanjali Yogasutra has, in fact, any interest in directing a moral life. The text uses modalities of behavior, intention, and directives to action for the purpose of creating a method that prepares the aspirant for the achievement of samadhi and/or nirodha.
Friday, March 19, 2021
Burn on, So Long as You Can
***
There is an ironic twist to self-evolution in the traditions of yoga. The more we engage to become that better version of ourselves, the more we must come to trems with living with who we are.
We can claim transcendence, that we have surpassed and relinquished our karmas, accumulated and no longer deciding for us, but is that the task? Are we getting past our past or moving forward because we have a past?
The option to take the bypass and claim that the different person we know ourselves to be is no longer the person that once was. But this is the mistake that will almost surely lead to less than who we could be if we are willing to receive into our ever-new self (Skt. abhinava-) the all of the self of light and shadow.
We'll never see all of those shadows---they hide from us and we hide them, for worse and sometimes better---and we'll never see all of the light, which would blind us with the false conviction that we've arrived, that we're complete, actualized and so discharged from the past.
To invest in progress we have to allow who we have been to become a teacher to the artist we seek to become. In Rajanaka this is, in part, the relationship between the seated dancer Daksinamurti, the teacher, and Nataraja, the artist. One of the most important things that Nataraja shows us is that even our most exquisite artistry is an expression of the hard-won conversations with our shadows.
Instead of mere regret, contrition, and embarrassment, we have a chance to incorporate, literally, to put them in the body so we can connect more honestly, converse more deeply. The further we are willing to step into the darkness that follows, the more light the horizon of the self reveals.
The irony of our unfinished self is that it keeps us moving when we are at once supported and cajoled. No one likes to hear that we need some nudge, that we prefer complacency to being jostled or poked. It can feel like being you're being forced, bullied, or hustled. And it can actually be some or all of those wrong-headed and morally indefensible affronts to the self.
To feel the difference between the charge to act and being shoved is part of the challenge to keep moving. The alternative is a quiescence that is more empty than purposeful. Life itself may have offer no greater purpose but that is why we have to engage to create it.
We are at once called to become a better version of ourselves and that everything about this endeavor is an invitation to burn. That's the Sanskrit tapas. The purpose of making the burn burn is to remember that in the ancient world all light is heat. We burn for the sake of the light.
We can also seek to illumine for the sake of opening to the shadows. Those missing or broken pieces have always been present but too often are left unattended, whether they are before or behind us. It's easier to claim it's all behind us when it should be clear that what we are doing now that is so evidently success is our conversation with the need to engage all of ourselves, with shadows companions of awakening.
Let me say out loud what prompted this little sermon. (Personally I hate sermons but that's why I write them: to try not to hate them when I need to hear them and of course would prefer not to.) I was thinking about President Biden who now some sixty days into his term has not given a press conference. Joe has been in public service nearly his entire adult life and some 44 years in office. He's said and done so much in public that one could select evidence to suits whatever might be the preferred conclusion.
The reputed gaffe-machine however has not gaffed much at all and the strategy to avoid the insipid culture wars that Republicans would prefer (because they have nothing else) is leading to something of a quiet revolution. Much is proposed, important power has been delegated to persons who are not only capable but representative of real change.
Even Mitch is scared of what is coming, so scared he is threatening retaliation knowing he's lost the power he once wielded so ruthlessly. Biden won't be ruthless---that is not Rudra's way. He will howl and weep because he has bled and bleeds. He seems to have some sense of what it takes to make the ruddy into the auspicious.
I am not delivering beatitude, Joe is not beyond criticism, and he may fail. I think he knows this. I am sure I feel that same way about myself. But it's not fear that motivates. It's the understanding that you gotta keep your head in the game and rage on to make the wheels turn.
It's too early to tell if much of what is hoped for will be accomplished but it has led me to think that Joe has in fact learned from the past, both personally andprofessionally, that he burns and seeks to bring more light.
But the key to his wisdom---at least that is my projection---is that he has not forgotten his shadows, particularly his own losses which have alchemized his soul. He doesn't have a future that isn't present but rather a future he hopes to help others realize. He's no saint and may yet not prove "transformational" but there is something more than cleaver politics going on.
I think he wants to make a difference---and we so return to the irony that caught my attention this morning again. You gotta want to do the right thingand do the work to become a better version of yourself for others. We all have plenty of past to remind us what it feels like to stumble, hesitate, falter, tilt, and sometimes fall.
No one likes to do that again but we know we will. That's why we might actually stand a chance. I'm further along in life now. I don't yet see the light coming for me and I'm grateful for that. It will. There's more behind than ahead. But that's what now makes the yoga all the more important.


